While the Awesome america’s finest british import 2023 shirt but in fact I love this idea of a bridal stylist may sound like someone simply browsing the internet and clicking “add to cart,” Choi insists that isn’t the case. The bridal soothsayer, who describes her personal style as “Aritzia meets Chanel”, is a friend and therapist to her brides—one with incredible fashion chops. (Popular and legendary opinion: Choi was known for having the best taste at Vogue). Much of Choi’s job is to hold the client’s hand through the process. “I curate, pre-curate, and edit for the client so it is the best of the best and they aren’t endlessly scrolling before bed or work,” said Choi. “I joke that a lot of what I do is wedding therapy.” Every detail is considered; Choi refers to her attention to detail as the equivalent of a bride as having her very own Vogue September cover shoot. “You want each shot to stand out on its own and tell a cohesive story.” Thierry Mugler spring 1989Photo: Courtesy of Getty Images
Choi supports her clients by being perfectly honest (“sometimes people around you will tell you everything looks amazing no matter what”), offering a more technical perspective, like knowing the Awesome america’s finest british import 2023 shirt but in fact I love this right tailor or heading to a fabric store in New York’s Garment District (“If you want sleeves, I’ll go to Mood Fabrics to make sure it matches the dress”), and even mapping out post-appointment drinks with brides and their mothers (“Stop at the Carlyle for a coffee or the Polo Bar for a drink with mom…those personal touches are important.”). And unlike friends who might suffer from Q+A bridal exhaustion, Choi is always available. “At a certain point, you can’t annoy your friends!” She elaborated, “as a bridal stylist, I’m your best friend. I’m by your side. I’m with you through this process six months to a year. I take more time to learn more about the bride as a person, beyond someone who is getting married. I’ll ask what the client’s hobbies are, their personal style, what the partner-to-be is like, how the couple met, and more.” Choi has known me for years, so her first question to me was about the wedding itself and what it would look like: a ’70s-style synagogue hall in Brooklyn with decoration inspiration from the shotgun wedding in Riding in Cars With Boys. (No flowers, just streamers. Let’s see how that goes over with my mother.) Based on what I initially wanted for clothes—that removed-rib Mugler look but with Yentl restrictions—Choi collected reference photos after our consultation. Her three-page mood board for me consisted of ’80s and ’90s runway images of Mugler’s nipped white blazers, an editorial moment of Linda Evangelista in all-white skirt suit with sculpted shoulders, and Michelle Pfeiffer’s white skirt suit in Scarface, arm-in-arm with Tony Montana.